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All cases together

On the website, you’ll occasionally find short passages containing personal examples. If you want to read one of these passages again, they can often be hard to find. That’s why the various passages are listed here one after the other, in the order in which they appear on the website.

A fearful ancestor

In that respect, it was immediately apparent in the first thematic ancestor constellation. An ancestor, a woman, was very fearful. She was shivering all over. The question was asked why she was so afraid. It took the ancestor a moment to process this. Then she said that she was in a place where other people absolutely did not want her. She was afraid of being killed, here and now. What was the case? As a poor woman, she had given birth to a child for a rich woman who could not have children herself. But of course, no one was allowed to know!

She wanted to catch a glimpse of her child every now and then. She had to do this very secretly because her life was at stake. She thought she was surrounded by ancestors of the wealthy family in the constellation. Until she realised that the ancestral line consisted of her own ancestors. She then exclaimed to the person for whom the ritual was intended: “Do you realise that you are dealing with my ancestors?” She thought it must have been quite a revelation for this person to suddenly be dealing with a line of poor wretches instead of a rich family.

This will not be the last time something like this happens.

From: ' Getting in touch with ancestors' under ‘Ancestor constellations’  

Not my father again

Strengthening the ancestral line also happens because, for example, ancestors who are not aware of this role are given this missing knowledge through the ancestral ritual. An incident: I am going to represent an ancestor, and a moment later I grab my head with both hands and exclaim: "There's someone shouting in my head! There's someone shouting in my head!: ‘You are on an ancestral line! You are on an ancestral line!...’ It must be my father."

This young man was unaware that he had become a father in that life, and his father saw his chance to finally make him understand this. The young man had previously run away from home, he said, because his father shouted so often. And now again.

From: 'Two ritual constellations' under ‘Ancestor constellations’ 

Tip: stones

The first time I had an appointment with someone online for an ancestor ritual, this person had decided that it didn't have to be stones. She had provided wooden beads. Fortunately, there was a path with pebbles around the corner from her house, so she could get stones right away.

Why stones? Stones are very good at holding and releasing energy. Wood has less of this capacity.

From: 'Tuning into and representing stones' under ‘Ancestor constellations’  

Curious ancestors

I myself encountered giants in a 30-generation constellation of an ancestral line. I refer to a 30-generation constellation as a constellation without representation, involving only tuning in, of 30 generations in four ancestral lines (i.e. tuning in to 30 stones four times). Giants in the family, I thought that was very interesting information. I was able to share it with some tall family members.

I did the 30-generation constellation with my four ancestral lines twice, because I treated the helping question and the other questions separately. The first time, I did this extensive ancestral constellation with only the question of ancestors coming forward who could help.

The second time with the remaining questions: ancestors who needed help themselves, who wanted to convey a message, or who wanted to reveal something about themselves. From that last invitation: “I want to ask ancestors who want to reveal something about themselves to come forward,” the information from the giants came through.

Another funny event during the 30-generation constellation. When tuning into the stones, I regularly felt nothing, even after tuning in for a while. Then at one point I thought: “There is nothing here.” After tuning in again, just to be sure, I thought again: “No, there is nothing here.” When tuning into one stone, I felt quite quickly and quite clearly: “There is nothing here. No, there is nothing here.”

How is that possible? Is that me? Do I think that? This triggered me and I thought: “I’m going to find out how this is possible.” I concentrated more deeply. And they hadn't expected that: I met a few curious ancestors who were looking around, who didn't want to come forward themselves, but who had been drawn to the light of the ancestral ritual because they were curious. They had hidden behind the screen: “There's nothing here.” But of course, that screen stood out. For a moment, we looked at each other in surprise: “Oh, you’re from another dimension?” Suddenly, there we were, face to face. That has an effect. It was brief, but it was a memorable moment.

From: What will you encounter? under ‘Ancestor constellations

Tip: Ordinary people

You may think that ancestors are in a higher spiritual consciousness because they no longer reside on Earth. That is not the case. This is because you are connecting with the person they were, not with their soul or their higher self. So the ancestor who comes forward is the ancestor as they were in that life. That is why you cannot expect insights and helpful advice about your current problems. Ancestors come forward from their own lived lives, with a sense of the present, because that is who they are. 

From: 'Your questions to ancestors' under ‘Ancestor constellations

The bookcase, the dog and the old stone

The bookcase wants to say something too

Once I got together with a small group of people to represent randomly chosen topics that we selected ourselves. I felt that a bookcase in the room where we were setting up wanted to be constellated itself. Why? Because it also wanted to say something. It had an opinion too. It was in the house of two people who often do constellations, and I think that's why the bookcase was familiar with the phenomenon. It wanted to have something to say itself. It was not happy with its place in the house. It expected a more central place because it was an important bookcase with important books in it, and it was not seen very often. It asked for attention and asked whether people who came into that house would greet it when they entered.

When you start doing constellations and become curious about other energies, how do you relate to them when they express feelings of pleasure or displeasure, or even pain? When you enter the subtle world, how do you relate to it? Can ‘it’ come and show itself to you and then go away again like a book you have read? The subtle world certainly likes it when we open ourselves to it and also knows that it is a long way we have to go. But do give it some thought.

Ancient dog energy

The other constellation I chose to investigate at the time was an animal, a dog. Not a specific dog, but dog energy. The energy of dogs. That became more of a tuning in constellation. I was impressed by the experience I had at the time, that dog energy was once beautiful and grand, and that we now only know the crumbs of it because nature is gone. Everything is wrapped up, packaged, pigeonholed, literally and figuratively. This allowed me to experience how little life was left, because I got a glimpse into the dog energy. What an amazing energy that was. Then I saw what a tiny world we live in, a puppet show. But anyway, everything happens for a reason...

Being a stone

I also found it quite a sensation to have been a large old stone once, and to have truly experienced stone consciousness from within. It only knew itself. So it did not experience any boundaries. I also knew then, as stone consciousness, that there had been a time when stones could fly through the air. At that moment, it felt very normal, it felt logical.

From: 'Tuning in and representing constellations' under 'Constellations in general'

Right side and left side of the body

In a constellation involving the roles of child, parent, adult and wise one within myself, the feeling of a difference between the right and left sides of my body also emerged in the ‘adult’ position. It presented itself briefly. I hadn’t addressed it at the time because I hadn’t constellated those positions. But as a result, that division between the right side of my body and the left side of my body had piqued my interest. Without giving it much further thought, I decided to use the division into right and left positions for the next theme I had devised: the theme of ‘house’. Required: paper with an arrow and a stone for the right side of the body, paper with an arrow and a stone for the left side of the body, paper with 'house' on it. I laid out the three pieces of paper. It turned out that the right side was standing with its back to the theme, and so was the left. I stood on the right side of my body and picked up the stone. The right side didn’t want to participate. Okay. Then I won’t ask why not, because that’s already participating. I stood on the left side of the body and picked up the stone. The left side didn’t want to participate either. So I placed this stone down neatly too and asked nothing more, but released the stones from their task. End of the constellation. Afterwards, I did the constellation with the theme ‘house’ using the male and female positions, and that went fine.

Afterwards, I was left with the question: what about the positions 'right side of the body' and 'left side of the body'? Why hadn’t they indicated anything? Why didn’t they both want to participate in a constellation, whereas I had felt the right and left positions in an earlier constellation, with the ‘adult within myself’ position? Then I had an idea: I’m going to ask the ‘inner wise one’. I took a piece of paper with an arrow and ‘wise one within myself’, the piece of paper with ‘right side of the body’ and the piece of paper with ‘home’, and one stone. I laid the papers down and as I did so I thought: oh no, now the wise one within myself will also stand with her back to it and won’t want to take part. But fortunately that wasn’t the case. The wise one lay with her arrow pointing between the two pieces of paper, ‘right side of the body’ and ‘house’. The three pieces of paper together formed a nice triangle. The arrow on the right side pointed outwards; it was standing there with its back turned again, but that was to be expected. I hadn’t laid out ‘left side of the body’ because perhaps the wise one had something different to say about right and left. I would do the left side next. The wise one’s answer regarding the right side of the body came quickly: the right side of the body is a processing system that does not deal with external matters; it only handles matters that play out internally. It knows nothing of the outside. Okay, that’s clear. That naturally applies to the left side of the body as well. So I don’t need to place that one anymore.

I’ll come back with some ideas on how to use the right side and left side positions. I still need to work that out.

From: 'Constellation alone with a theme' under ‘Constellations by yourself’ 

Examples of clear acting ability

I’ll give a few examples. When John was terminally ill and in the final stages of his life, I suddenly opened the curtains at a spot where they had always been closed. We have a large window in the living room and the curtains were always closed in some sections. I knew he always wanted them closed and I wasn’t going to suddenly open them now just because he wasn’t aware of it anymore. But I did open them and it felt right; I had a clear, intuitive feeling about it. Later I heard that the yew is called the tree of life and death. Do we have a yew in our little garden? Indeed we do, and it stands exactly in the spot that came into sight when I opened that curtain, just two weeks before his death. Because of that, the yew suddenly had a view of John as he lay dying. I then began to tune into the specific quality that the yew possesses. Every tree or shrub has a specific quality. I sometimes enjoy tuning into it. I did so with the yew. It wraps a small layer of enlightenment energy around a person. Normally, we are insensitive to this; it makes no difference to us. But when someone is dying, it does make a difference in their energetic field. Yews literally illuminate the dying process; they bring about enlightenment.

Another example. In this case, I had my own, human interpretation of why I was doing it. Later, I received information about this from my guides. The situation:

At a certain point, it was clear that John was terminally ill, though not yet to the extent that a life expectancy could be accurately predicted. In hindsight, his life expectancy from that point on turned out to be about six months. I began to surround John with flowers. Even earlier, from the time he was spending a lot of time in bed, I would bring him a small bouquet, but at a certain point I started filling the living room with them. It was as if it were a party every day. There were always four or five bouquets there. John would sometimes say: “Those flowers mean I’m going to die.” I interpreted his remark as follows: because I know he doesn’t have long to live and he knows that too, those flowers are there, because he loves nature and really enjoys looking at them. I do that because he doesn’t have long to live; I wouldn’t do it if he still had ten years to live. That’s a human reason.

Later, I was told by guides that John had meant something different: the presence of flowers means he doesn’t have long to live, because that is the meaning of flowers: flowers play a role in the dying process. Yes, they’re also at parties, but they’re certainly important in the dying process too. And John, who was claircognizant, clairvoyant and clear about everything, knew that. Ah. And how can flowers help with dying? What do they do then? That is very interesting and also the reason they are present at parties: flowers freeze time. They capture experiences. That is very suitable for parties: they freeze your experiences and open you up to a party: look at those beautiful flowers, and off you go. In the process of dying, they thereby already detach a part of you from your life; they freeze that. They start to extract your experiences from your system, as it were, by freezing them, by capturing them. When you die, there is less from which you need to detach. That does make it easier. The joyful experiences of happiness spring forth at that moment and accompany you through the first part of the experience of death. Then you feel happy. That happy feeling when dying has other reasons too, but this is one of them.

I describe these experiences to give you an insight into the subtle world. Because we are unfamiliar with it, we have no idea of what is all accessible in the subtle realm, available to people. It is not certain that you will come to this conclusion, but hopefully this will make you somewhat more aware of the fact that there are subtle matters lying behind the known reality that exert an influence.

From: 'Insight through percentage exercises' under 'Subtle exercises'

The drowned child

My sister from New Zealand and I had once done something on a subtle energetic level that didn't take much time, so we had some time left over. I said that I thought it would be nice to represent someone. We discussed whether that could be done online, because I would need guidance. My sister immediately said that it was possible because distance doesn't matter, and she added that as my guide, she wanted me to remain conscious. Of course. And what could I represent? Immediately, it occurred to me: my maternal grandmother, our mother's mother. We never knew her because she died when our mother was still a toddler.

I stood up to represent her, and the first thing she said was: “I'm not your grandmother.” A moment later: “I'm not an ancestor.” And a little later: “I'm a little creature that drowned.”

I was stunned. Are we dealing with a human being here? I asked that question inwardly to the little creature that had drowned. 

Then it unfolded. ‘I’ am a little three-year-old girl who drowned and who lives quietly in a sheltered and safe environment where she feels okay and doesn't have to leave of her own accord. She is a niece of our grandmother, who is her aunt. And this woman, our grandmother, kept asking, “Where is that child?” Because that child suddenly went missing and was never found again.

I could feel our grandmother's emotion at meeting each other. But also our grandmother's pain: she had been so worried about this all this time. 

Afterwards, I asked Margrete and Ferry how it was possible that this problem had not been resolved in the spiritual world, and that this woman with the question about her missing child had remained stuck. They explained that trauma often makes someone difficult to reach. 

Because she was traumatised by this, she had been unable to experience the child before. It had been a helpful ancestor constellation, which had turned out differently than expected.

From: 'Small group in subtle matter'

Don't get too close

Today, I walked past a natural spot with a strong energetic effect, which can also transform negative energies. I sometimes pay attention to that place because I know it does good work. Today, I visited that place again, walked towards it to ‘honour’ it with my attention, and was told: “Don’t come too close.” That’s fine, of course, but why am I being told that? I don’t see any problem with coming close to that place. And what or who is saying this?

A little later, the little creature that had said this showed itself. My gaze was drawn to it and then I suddenly saw it. I took a photo of it. A very subtle, delicate little creature.

What is going on? That place has very powerful energies and there are astral beings that can be harmed if they come too close. This little creature is there to protect ‘everyone’ from the strong energetic effects by keeping them at a distance. Sweet, isn’t it? Can you see it?

For a long time, I did astral work where I took a lot of photos, astral photos. I really enjoy the occasional opportunity to photograph something from the astral world, this time in our 3D world. As I said, my gaze was drawn to it, otherwise I wouldn't have seen it. The little creature doesn't want me to share the place with other people because then they might talk to it, and it's far too fragile for that. I'm happy to share this little event myself. And then telling people about it but not saying where is a nice compromise.

From: ‘Who am I?’ under ‘Other'

copyright © Edith Bertrand 2026

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